Chinese Modern examines crucial episodes in the creation of Chinese modernity during the turbulent twentieth century. Analyzing a rich array of literary, visual, theatrical, and cinematic texts, Xiaobing Tang portrays the cultural transformation of China from the early 1900s through the founding of the People’s Republic, the installation of the socialist realist aesthetic...(展开全部)

Chinese Modern examines crucial episodes in the creation of Chinese modernity during the turbulent twentieth century. Analyzing a rich array of literary, visual, theatrical, and cinematic texts, Xiaobing Tang portrays the cultural transformation of China from the early 1900s through the founding of the People’s Republic, the installation of the socialist realist aesthetic...(展开全部)

Xiaobing Tang is Associate Professor in Modern Chinese Literature at the University of Chicago.

Originally published by Harvard University Press in 1958.

Originally published by Harvard University Press in 1958.

Today China is a critical player in the global marketplace, but there is still widespread confusion about what really makes the country tick - even the Chinese have difficulty explaining their own "Chineseness" to outsiders. In What Chinese Want, China expert Tom Doctoroff posits that China’s distinguishing traits explain the country in profound ways, including: *Connection to ...(展开全部)

Today China is a critical player in the global marketplace, but there is still widespread confusion about what really makes the country tick - even the Chinese have difficulty explaining their own "Chineseness" to outsiders. In What Chinese Want, China expert Tom Doctoroff posits that China’s distinguishing traits explain the country in profound ways, including: *Connection to ...(展开全部)

The texts that are examined in this study move in and out of different languages or are multilingual in their origins. Texts and authors do not move randomly; rather, they follow routes shaped by the history of contact between different nations of the transpacific. As these texts move into and out of the Chinese language or become multilingual, they necessarily do not always re...(展开全部)

作者普实克（1906－1980），欧洲最负盛名的中国文学与文化学者，前捷克斯洛伐克科学院院士，东方研究所所长。他所领导的东方研究所曾是二十世纪五六十年代欧洲最有成就的中国文学研究中心。六十年代初，他和美国夏志清教授关于后者所著《中国现代小说史》的讨论，曾在欧美引起很大反 响。 编者李欧梵，台湾大学外文系毕业，美国哈佛大学博士，香港科技大学人文荣誉博士。现为哈佛大学东亚系荣休教授，香港中文大学讲座教授，“中央研究院”院士，曾任教于普林斯顿大学、印第安纳大学、芝加哥大学、香港科技大学、哈佛大学等著名学府。主要著述包括：《铁屋中的呐喊》、《中国现代作家的浪漫一代》、《西潮的彼岸》、《中西文学的徊想》、《狐狸洞话语》、《现代性的追求》、《上海摩登》、《我的哈佛岁月》等二十多种，并出版有小说《范柳原忏情录》和《东方猎手》。 译者郭建玲，浙江金华人。二〇〇七年毕...(展开全部)